New미야자키 하야오 감독의〈On Your Mark〉를 AI로 다시 만들었습니다 — 제작 과정과 프롬프트 전부 공개

실사Higgsfield · GPT Image-2
Prompt2,143자
Identity lock: the same young East Asian woman from the reference sheet — same face, same long straight jet-black hair, same slim proportions. Do not alter her features. SETTING: present-day Japan, a concrete breakwater at a small fishing harbour on the Shonan coast near Tokyo, clear midday in high summer. SCENE: She stands on the breakwater walkway with one hand shading her eyes, squinting out toward the water, body turned three-quarters away from the lens. The harbour is early-2000s in its bones and left exactly as it is: stacked concrete tetrapods, a repainted rusty steel guardrail, a squat white lighthouse, coiled mooring ropes, a small weathered fishing boat, a hand-lettered warning sign in Japanese kanji — all worn but well-kept and still in daily use. CONTRAST: against that, what she carries is unmistakably present-day 2026 — white wireless earbuds and clean current-model white sneakers. The two eras sit in the same frame without comment. WARDROBE: a plain white sleeveless top and loose navy shorts, current silhouette, nothing that looks styled. Candid, unstaged snapshot taken by a friend standing behind her — eye level, no posing. Skin completely unretouched: visible pores, small blemishes, stray hair strands. LIGHT: direct midday summer sun, hard and unfiltered, coming from the side. Bright specular highlights on skin, hair and wet concrete; a hard shadow of her raised arm across her face. COLOR: clean daylight white balance. Saturated blue sky, deep blue-green sea, white concrete blazing. Skin bright and slightly warm. TONE: high contrast. Skin highlights push toward clipping; shadows stay open and faintly blue from skylight fill. OPTICS: 26mm phone lens, deep depth of field — the tetrapods, the lighthouse and the horizon all stay in focus. TEXTURE: smartphone rendering with slightly over-lifted shadows and fine sensor noise. Sea wind pulling her hair sideways. No golden hour, no soft diffused light, no low contrast, no shallow depth of field, no lens flare styling, no studio lighting, no glamour retouching, no plastic skin, no period costume drama, no broken or filthy surfaces, no watermark.
Added 2026.08.16
Prompt
Identity lock: the same young East Asian woman from the reference sheet — same face, same long straight jet-black hair, same slim proportions. Do not alter her features. SETTING: present-day Japan, a concrete breakwater at a small fishing harbour on the Shonan coast near Tokyo, clear midday in high summer. SCENE: She stands on the breakwater walkway with one hand shading her eyes, squinting out toward the water, body turned three-quarters away from the lens. The harbour is early-2000s in its bones and left exactly as it is: stacked concrete tetrapods, a repainted rusty steel guardrail, a squat white lighthouse, coiled mooring ropes, a small weathered fishing boat, a hand-lettered warning sign in Japanese kanji — all worn but well-kept and still in daily use. CONTRAST: against that, what she carries is unmistakably present-day 2026 — white wireless earbuds and clean current-model white sneakers. The two eras sit in the same frame without comment. WARDROBE: a plain white sleeveless top and loose navy shorts, current silhouette, nothing that looks styled. Candid, unstaged snapshot taken by a friend standing behind her — eye level, no posing. Skin completely unretouched: visible pores, small blemishes, stray hair strands. LIGHT: direct midday summer sun, hard and unfiltered, coming from the side. Bright specular highlights on skin, hair and wet concrete; a hard shadow of her raised arm across her face. COLOR: clean daylight white balance. Saturated blue sky, deep blue-green sea, white concrete blazing. Skin bright and slightly warm. TONE: high contrast. Skin highlights push toward clipping; shadows stay open and faintly blue from skylight fill. OPTICS: 26mm phone lens, deep depth of field — the tetrapods, the lighthouse and the horizon all stay in focus. TEXTURE: smartphone rendering with slightly over-lifted shadows and fine sensor noise. Sea wind pulling her hair sideways. No golden hour, no soft diffused light, no low contrast, no shallow depth of field, no lens flare styling, no studio lighting, no glamour retouching, no plastic skin, no period costume drama, no broken or filthy surfaces, no watermark.
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