POV: 시선이 곧 카메라

First-person POV — the camera is the viewer's own eyes. Handheld human head-movement, natural sway and micro-jitter as if standing on a moving city bus in warm afternoon light. In front of us stands a young East Asian woman: soft bangs, long dark hair, grey knit cardigan over a light-blue striped shirt, white wired earphones in, one arm raised holding the overhead ring handle. She blinks often and naturally throughout — soft, frequent blinks that make her feel alive and present. Beat 1 (0–1s) — Crash zoom out: hard, fast zoom-out from a tight close-up of her face to a natural eye-level medium shot, lens breathing and slight shake, settling into how a person would actually see her. She blinks as the zoom lands. Beat 2 (1–4s) — POV begins: locked into our own first-person view. Subtle head-turn reframes, breathing motion. She looks directly into our eyes, blinking softly and often, breaks into a warm playful smile, tilts her head — she's talking to us, flirting, speaking softly in Japanese, teasing and cheerful. Beat 3 (4–6s) — Laugh + hand: she laughs, a little shy, blinks quickly a few times, and lifts her free hand to half-cover her mouth, still smiling at us over her fingers, eyes locked on ours. Beat 4 (6–7s) — Impact: sudden violent lateral vehicle impact from screen-RIGHT — a second bus slams into us, brutal sideways camera shake and motion blur, our POV whips hard to the left, harsh metal crunch, cut to black on the hit. Style: natural documentary realism, first-person human POV (not a phone selfie), shallow depth of field, soft window bloom, subtle film grain, ambient bus sound, no music until the final impact. 16:9, ~7 seconds. Flirty Japanese lines she says to you (pick one or two): ねえ、こっち見てよ — "Hey, look at me" ふふっ、そんなに見つめないで〜 — "Hehe, don't stare so much~" もう、照れるじゃん — "Ugh, you're making me blush