NewOpenAI와 앤트로픽이 갑자기 속도를 늦추자는 이유

풍경Higgsfield · 나노 바나나 Pro
Prompt1,614자
Use the reference image only for facial likeness and hairstyle — same face, same long straight black hair. Ignore the clothing and background in the reference entirely. COVER KEY ART — candidate B: overwhelming scale. Situation: the morning after a typhoon. An adult Korean woman stands alone on the upper walkway of an enormous concrete dam, mist lifting off the spillway, water sheeting down the vast curved face of the structure behind her. She has stopped mid-stride, one hand on the railing, looking out. COMPOSITION FOR A COVER: the man-made structure fills the upper two-thirds and dwarfs her — she is a small dark mark against immense grey concrete, placed off-center. The BOTTOM THIRD is plain wet concrete walkway in deep shadow — uncluttered, no subject, no detail, reserved as empty space for a text overlay. Everything stays in focus, no shallow depth of field. LIGHTING: entirely natural overcast dawn light. No artificial lamps, no colored practicals, no neon. Wardrobe: contemporary 2026 Korean fashion, Musinsa-style styling, Korean minimal styling: long unstructured coat in ivory or greige, straight silhouette, no ornament. No visible brand logos, no printed graphics, no text on clothing. Tone: editorial photography, 2026 Instagram and Pinterest aesthetic, cinematic poster density, muted palette of wet concrete grey, slate and pale sand. Shot on IMAX 15/70 film, immense frame area, deep spatial rendering. Avoid: no text, letters, words, numbers, logos or watermarks anywhere. No travel-brochure landscape, not stock photography, no posed smiling at camera, no oversaturated color.
Added 2026.08.12
Prompt
Use the reference image only for facial likeness and hairstyle — same face, same long straight black hair. Ignore the clothing and background in the reference entirely. COVER KEY ART — candidate B: overwhelming scale. Situation: the morning after a typhoon. An adult Korean woman stands alone on the upper walkway of an enormous concrete dam, mist lifting off the spillway, water sheeting down the vast curved face of the structure behind her. She has stopped mid-stride, one hand on the railing, looking out. COMPOSITION FOR A COVER: the man-made structure fills the upper two-thirds and dwarfs her — she is a small dark mark against immense grey concrete, placed off-center. The BOTTOM THIRD is plain wet concrete walkway in deep shadow — uncluttered, no subject, no detail, reserved as empty space for a text overlay. Everything stays in focus, no shallow depth of field. LIGHTING: entirely natural overcast dawn light. No artificial lamps, no colored practicals, no neon. Wardrobe: contemporary 2026 Korean fashion, Musinsa-style styling, Korean minimal styling: long unstructured coat in ivory or greige, straight silhouette, no ornament. No visible brand logos, no printed graphics, no text on clothing. Tone: editorial photography, 2026 Instagram and Pinterest aesthetic, cinematic poster density, muted palette of wet concrete grey, slate and pale sand. Shot on IMAX 15/70 film, immense frame area, deep spatial rendering. Avoid: no text, letters, words, numbers, logos or watermarks anywhere. No travel-brochure landscape, not stock photography, no posed smiling at camera, no oversaturated color.
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