New미야자키 하야오 감독의〈On Your Mark〉를 AI로 다시 만들었습니다 — 제작 과정과 프롬프트 전부 공개
시네마틱 단편Higgsfield · 시댄스 2.5
Prompt1,340자
A dynamic street fight unfolds in daylight, against a backdrop of a typical Japanese alleyway—low-rise houses, hedges, and light-colored asphalt. A man in a white shirt and loose tie faces a group of men in dark suits, who attack him from all sides. He fiercely and skillfully fights them all—dodges, blocks, counterattacks, and parries, taking down his attackers one by one. The action is fast, hard-hitting, and realistic: punches, kicks, leaps, opponents sent flying, suits and hair flying, sweat splattering. Waves of attackers surge forward, and he spins and maneuvers in the center of the melee, holding his ground. The camera is dynamic, handheld—the lively shakiness and rapid capture of movement weave and dive among the fighters, following each punch, quickly recomposing and panning to create a documentary-style action filming feel amidst the chaos. Medium and close-ups delve into the heart of the action. Shot using a Panavision Millennium DXL2 camera with a Panavision G-series anamorphic widescreen lens—slight distortion, oval bokeh, shallow depth of field, no lens flare. Daylight, natural light, cinematic color grading, slight film grain. 8K. Audio: No music, only sound effects—dull thumping sounds, shouts, footsteps, the sound of asphalt rubbing, heavy breathing, the sound of clothes rustling, ambient street sounds.
Added 2026.08.24
Prompt
A dynamic street fight unfolds in daylight, against a backdrop of a typical Japanese alleyway—low-rise houses, hedges, and light-colored asphalt. A man in a white shirt and loose tie faces a group of men in dark suits, who attack him from all sides. He fiercely and skillfully fights them all—dodges, blocks, counterattacks, and parries, taking down his attackers one by one. The action is fast, hard-hitting, and realistic: punches, kicks, leaps, opponents sent flying, suits and hair flying, sweat splattering. Waves of attackers surge forward, and he spins and maneuvers in the center of the melee, holding his ground. The camera is dynamic, handheld—the lively shakiness and rapid capture of movement weave and dive among the fighters, following each punch, quickly recomposing and panning to create a documentary-style action filming feel amidst the chaos. Medium and close-ups delve into the heart of the action. Shot using a Panavision Millennium DXL2 camera with a Panavision G-series anamorphic widescreen lens—slight distortion, oval bokeh, shallow depth of field, no lens flare. Daylight, natural light, cinematic color grading, slight film grain. 8K. Audio: No music, only sound effects—dull thumping sounds, shouts, footsteps, the sound of asphalt rubbing, heavy breathing, the sound of clothes rustling, ambient street sounds.
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